New experimental sonic realms.

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With a program of groundbreaking premieres by composers from Australia and New Zealand, the duo starts with Liam Flenady’s The Five Seasons, a thrilling and disorientating musical dystopia, forecasting a world in ecological crisis.

Finishing with Jaslyn Robertson’s Cut It, the duo plunges the into a granular electroacoustic noise world, drawing on her own experiences of censorship in the arts as a non-male composer.